The Opening Ceremony of the 65th Annual Cannes International Film Festival
Posted on 16-05-2012
 

Today was the first day of the 65th Festival de Cannes, the international playground of topless starlets, experimental directors, and film-world power players. Many stars have made their debuts there, and the lucky ones — Sophia Loren, Ingrid Bergman, Monica Vitti, Brigitte Bardot, et al — have returned year after year. The combination of yachting, frolicking on the beach, and black tie galas has always provided plenty of opportunities for low-key chic (think Jane Birkin, Charlotte Rampling, or Anita Pallenberg), as well as red carpet glamour (Grace Kelly, Vanessa Redgrave, and Natalie Wood).  Diane Kruger, Eva Longoria and Freida Pinto dazzled on the red carpet at the Cannes Film Festival’s opening event.

This photo of Grace Kelly was taken on the very same 1955 trip to Cannes where she met her eventual husband, Prince Rainier III, for the first time. She looks elegant and gorgeous–is it any wonder that she nabbed a prince on the trip?

Jean-Pierre Aumont and Grace Kelly, 1955

David Bowie, 1978

Jane Birkin, 1974

German actress Diane Kruger wowed the crowds in this pastel creation.

Brigitte Bardot already knows exactly how to play it for the camera, in Cannes back in 1956.

The ultimate European screen star, Sophia Loren shows how it’s done in 1959.

Supermodel Eva Herzigova showed off the Chopard diamond necklace made in honour of the film festival’s ‘face’, Marilyn Monroe.

Monica Vitti and Michelangelo Antonioni, 1967

Vanessa Redgrave and Franco Nero, 1967

The Help’ star Jessica Chastain chose a sculpted white gown.

Sofia Coppola’s Cannes debut in 1979, atop her dad’s shoulders. Best way to arrive to a party in our books.

Catherine Deneuve and David Bailey, 1966

(photos:NYT,GETTY)

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Elsa Schiaparelli and Miuccia Prada at The Metropolitan Museum of Art
Posted on 8-05-2012
 

After Alexander McQueen in 2011, The Costume Institute of The Metropolitan Museum of Art is paying homage to Italian designers Elsa Schiaparelli and Muccia Prada. The exhibition Schiaparelli and Prada: Impossible Conversations will explore the striking affinities between these two iconic women from different eras.

In the galleries, emblematic ensembles by Schiaparelli and Prada will be presented with videos of imaginary conversations between the two designers directed by Baz Luhrmann, focusing on how both women explore explore similar themes in their work through very different approaches.

Given the role Surrealism and other art movements play in the designs of both Schiaparelli and Prada, it seems only fitting that their inventive creations be explored here at the Met. Schiaparelli’s collaborations with Dali and Cocteau as well as Prada’s Fondazione Prada push art and fashion ever closer, in a direct, synergistic, and culturally redefining relationship.”
~~Thomas P. Campbell, Director and CEO of the Metropolitan Museum of Art


Drawn from The Costume Institute’s collection and the Prada Archive, as well as other institutions and private collections, signature objects by both designers will be arranged in seven themed galleries.

“Juxtaposing the work of Elsa Schiaparelli and Miuccia Prada allows us to explore how the past enlightens the present and how the present enlivens the past.”
~~Harold Koda, Curator in Charge
George Hoyningen-Huené (Russian, 1900-1968)                        Guido Harari (Italian, born Cairo, 1952)
Portrait of Elsa Schiaparelli, 1932                                               Portrait of Miuccia Prada, 1999
Courtesy of  The Metropolitan Museum of Art, Courtesy of The Met Museum of Art
Hoyningen-Huené/Vogue; © Condé Nast                                    Guido Harari/Contrasto/Redux

Waist Up / Waist Down
Wallis Simpson in Elsa Schiaparelli, Vogue,                          Miuccia Prada, spring/summer 2011
June 1, 1937                                                                       Courtesy of The Metropolitam Museum of Art,
Courtesy of The Metropolitan Museum of Art,                        Photograph by © David Sims
Photograph by Cecil Beaton, Cecil Beaton Studio
Archive at Sotheby’s
Diana Vreeland i Elsa Schiaparelli,                                  Miuccia Prada, spring/summer 2005
Harper’s Bazaar, April 1937                                             Courtesy of the Met Museum of Art,
Courtesy of the Met Museum of Art, Photograph              Photograph by © Toby McFarlan Pond
by Louise Dahl-Wolfe Louise Dahl-Wolfe Archive
© 2012 Center for Creative Photography, Arizona
Board of Regents

Elsa Schiaparelli, Vogue, September15, 1938                      Miuccia Prada, spring/summer 1999
Courtesy of the Met Museum of Art, Photograph                 Courtesy of The Met Museum of Art,
by Horst Horst / Vogue; © Condé Nast                               Photograph © Toby McFarlan Pond

Ugly Chic

Elsa Schiaparelli, Vogue Paris, February 1927                    Miuccia Prada, autumn/winter 1996-97
Courtesy of The Met Museum of Art, Photograph                Courtesy of The Met Museum of Art,
by George Hoyningen-Huené ©R. J. Horst                          Photograph by © Toby McFarlan Pond
Hard Chic
Elsa Schiaparelli, Vogue, September 15, 1938                        Miuccia Prada, autumn/winter 2004-5
Courtesy of The Met Museum of Art                                      Courtesy of The Met Museum of Art
Photograph by Regina Relang                                               Photograph by © Toby McFarlan Pond

Naïf Chic
Elsa Schiaparelli, Vogue Paris, June 1949                                       Miuccia Prada, spring/summer 2006
Courtesy of The Met Museum of Art, Photograph by                         Courtesy of The Met Museum of Art,
Rutledge Rutledge @ Vogue Paris Photograph by ©Toby McFarlan Pond

The Classical Body
lsa Schiaparelli in Elsa Schiaparelli, autumn 1931              Miuccia Prada, autumn/winter 2004-5

Courtesy of The Met Museum of Art,                                  Courtesy of the Metropolitan Museum of Art,
Photograph by Man Ray © 2012 Artists Rights                    Photograph by © Toby McFarlan Pond
Society (ARS), New Yor / ADAGP, Paris

The Exotic Body
Elsa Schiaparelli, Vogue, June, 1935                             Miuccia Prada, spring/summer 2004
Courtesy of The Met Museum of Art,                             Courtesy of The Met Museum of Art
Photograph by Horst Horst / Vogue;                              Photograph by © Toby McFarlan Pond
© Condé Nast

The Surreal Body
Elsa Schiaparelli, Harper’s Bazaar, February 1935                Miuccia Prada, autumn/winter 2002-3
Courtesy of The Met Museum of Art,                                    Courtesy of The Met Museum of Art,
Photograph by André Durst                                                   Photograph by © David Sims
Harper’s Bazaar/Hearst Communications, Inc
Wallis Simpson in Elsa Schiaparelli, British Vogue,                    Miuccia Prada, spring/summer 2000
July 10, 1935                                                                          Courtesy of The Met Museum of Art
Courtesy of The Met Museum of Art, Cecil Beaton                     Photograph by © David Sims
Elsa Schiaparelli, L’Officiel, October 1937                              Miuccia Prada, spring/summer 2000
Courtesy of The Met Museum of Art,                                     Courtesy of The Met Museum of Art,
Photograph by George Saad                                                 Photograph by © Toby McFarlan Pond
Copyright © Les Editions Jalou, L’Officiel



All images are from the exhibition catalogue, Schiaparelli and Miuccia Prada: Impossible Conversations published by The Metropolitan Museum of Art, 2012

The exhibition is on view from May 10 through August 19, 2012, preceded on May 7 by The Costume Institute Gala Benefit.

Schiaparelli and Miuccia Prada: Impossible Conversations
Directed by Baz Luhrmann
via:what’s up!trouvaillesdujour

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LOVELY FLOWERS AROUND YOU !!!
Posted on 1-05-2012
 


Choose the flowers you love,  make your life beautiful and enjoy every single moment!!!!!!!!!

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Diana Vreeland…Fashion’s FIRST Lady!
Posted on 29-04-2012
 

The Divine Mrs. Vreeland

Diana Vreeland — tastemaker, magazine editor, Costume Institute institution — was perhaps the city’s most recognizable fashion icon. A look at a life of high style — and high drama.
“ By Eleanor Dwight

“You gotta have style. It helps you get up in the morning. It’s a way of life. Without it you’re nobody. I’m not talking about a lot of clothes.”
Diana Vreeland

Before coming to the United States, Diana was a society girl Europe. She made a brilliant marriage to a very handsome and successful aristocrat. Through their connections, and because of her inate sense of style, Ms. Vreeland was offered the editorship of Harper’s Bazaar where she worked several years.

Carmel Snow and Diana Vreeland

An image of Vreeland that appeared in Harper’s Bazaarin 1936. She had just begun her 26-year reign at the magazine.

Diana and Reed Vreeland–her stylish, urbane husband with whom she had two sons, and whose death in 1966 devastated her–on the steps of the Southampton Bathing Corporation in the late forties.


Diana Vreeland by Andy Warhol

With Marisa Berenson



Her Amazing style!!!

Try to be born in paris if you can arrange it.” – diana vreeland

Mary Quant, great promoter of the mini-skirt, was given great coverage by Vogue. Ms. Vreeland was freindly with Jacqueline Kennedy. Below, another of Diana’s darlings, Yve St.Laurent with models.

Bring on the British
Later she moved to Vogue, the most powerful fashion magazine in the world. Ms. Vreeland must bear a large part of the responsibility for the “British Invasion” starting in 1964. She adored the Beatles, David Bailey and Jean Shrimpton. She forced the fashion world to sit up and take notice of the Pop Phenomenon: Twiggy. By using her on the covers and in the pages of Vogue she inferred Supermodel status in the British teenager.

Diana’s Discoveries
Lauren Hutton, Verushka, Penelope Tree, Benedetta Barzini, Marisa Barenson and Diana Vreeland on the cover of New York Magazine



Known as DV to those lucky enough to be her friends, Diana Vreland was the epitome of Old World elegance and modern savoir faire. She also had a sense of humor and air of irreverence. She was the tastemaker to the American’s who cared about fashion.


Diana Vreeland’s Quotes:

* Never worry about the facts. Just project an image to the public

* I’m terrible on facts. But I always have an idea. If you have an idea, you’re well ahead!

* Balenciaga did the most delicious evening clothes. Clothes aren’t delicious any more.

* Blue jeans are the most beautiful things since the gondola.

* Elegance is innate. It has nothing to do with being well dressed. Elegance is refusal.

* I adore that pink! It’s the navy blue of India!

* I always wear my sweater back-to-front; it is so much more flattering.

* In a Balenciaga you were the only woman in the room-no other woman existed.

* No one cuts backs like he did. No one knows what a back is anymore.

* Poor, darling fellow-he died of food. He was killed by the dinner table.

* The only real elegance is in the mind; if you’ve got that, the rest really comes from it.

* The two greatest mannequins of the century were Gertrude Stein and Edith Sitwell-unquestionably. You just couldn’t take a bad picture of those two old girls.

* What do I think about the way most people dress? Most people are not something one thinks about.

* Never fear being vulgar, just boring.

* Without emotion there is no beauty.

* The best thing about London is Paris.

(photos:Corbis, live journal,pinterest)




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Let’s ride with the Dolce & Gabbana Animalier Bicycle
Posted on 25-04-2012
 

Dolce & Gabbana, that’s who. Dubbed the Animalier, the limited-edition, hand-finished, ladies-only bike comes with a retro style, no pesky gears, pedal-activated lights and a handy basket in front, perfect for a shopping bag (duh) or a petite canine co-pilot. Idyllic Italian scenery not included.

Available at select Dolce & Gabbana boutiques worldwide.

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Underwater’s world
Posted on 22-04-2012
 

Coral, seahorses and mermaids are central to the new spring/summer 2012 season’s ‘underwater world’ trend.

Peter Pilotto
Abstract sea scenes adorned scuba-esque cuts and fabrics in London Fashion Week designer Peter Pilotto’s summer collection.

Givenchy
Ready for a disco or a dive: The Givenchy by Riccardo Tisci collection was havey on sacale-like sequins.

Holly Fulton
Fellow London designer Holly Fulton’s creations had a very literal approach to taking inspiration from under the sea.

Paco Rabanne
Designer Manish Arora’s debut for label Paco Rabanne featured dreses which looked like sea anemones.

Elie Saab
The models in Elie Saab’s show looked like elegant, languid mermaids, dripping in sequins.

Versace
Seahorses and starfish expressed Donatella Versace’s more literal approach to ‘underwater’, printed as they were across skirts, shorts and mini-dresses in aquamarine and violet.

Giorgio Armani
Subtle sea silhouettes at Giorgio Armani.

Chanel
The entire Chanel spring/summer 2012 was set under the sea and featured scale-esque dresses…

Chanel
…beautiful shell-embellished handbags…

Chanel
…and coral-heeled sandals.

Alexander McQueen
The most elegant and decadent of sea creatures emerged at Alexander McQueen.

Mary Katrantzou
Tropical fish lent colour to Mary Katrantzou’s collection.

Salvatore Ferragamo
Earrings in the form of seahorses at Salvatore Ferragamo.

Emanuel Ungaro
A mix of taupe and gold detailing on this Ungaro gown had a very regal fish-like feel to it.

(photos:style.com,SEAN CUNNINGHAM)

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SPRING’S WHITE LOVELY DETAILS
Posted on 16-04-2012
 

HERMES S/S 2012

PHILIP LIM S/S 2012

CHANEL HAIR PINS S/S 2012

HERMES S/S 2012

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Making of Chanel’s Eyewear S/S 2012 campaign starring Linda Evangelista
Posted on 16-04-2012
 

Supermodel Linda Evangelista has made a surprise return as the face of Chanel’s Spring/Summer 2012 eyewear collection. At first glance the ads look like something out of the 1980s / 1990s, with the 46-year-old model rocking a short sleeked back ‘do, bold make-up, black-and-white graphic outfits, and sporting colourful frames.

Photographed by Karl Lagerfeld (who else?) here are some images which gives us an insight into how the campaign was created. It is a legendary team-up between Lagerfeld and Evangelista which goes to show just how professional these two are. Take for example how they utilise a simple backdrop to create stunning photographs.

(catwalkqueen)

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A GREEN EASTER
Posted on 14-04-2012
 

I think that green always suits great to Easter, so if you like this color you can be inspired by these cute ideas here. Wish you the Happiest Easter full of love!!!

photos:Kira Brandt

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I Love the paisley print!
Posted on 10-04-2012
 

The paisley print usually reserved for dandy boys is proving to be a firm feminine favourite this spring.

Raf Simon for Jil Sander Spring/summer 2012′s coveted collection saw minimalist white nurse-like outfits interspersed with bright neon paisley’s and veiled beanie hats. Raf Simons is named artistic director of Christian Dior. The Belgian designer will oversee all of the womens’ collections with immediate effect.

Alexa Chung balances designer J W Anderson’s bold paisley silk trousers with greys and silvers; we’ll be doing the same from now on.

Add a cheeky touch of paisley to your outfit with Miu Miu’s cute ladylike bag.

A flash of paisley adorned these metallic pants by Haider Ackermann.

Poppy Delevingne works the paisley to the max in this Matthew Williamson-designed gown.

Style maven Olivia Palermo teams a floral shirt with a Jonathan Saunders blazer, proving that paisley is perfect for a print clash.

Not for the faint hearted, Thakoon’s brightly coloured bold paisley prints will look even better with a tan this summer, be brave and wear with brights and printed accessories.

Singer Florence Welch proves you can never wear too much paisley at once.

The Jil Sander spring/summer 2012 catwalk was covered in paisley, this matching blazer and shorts combo is at the top of our wish lists.

At Emilio Pucci, creative director Peter Dundas’ gypsy vision was complete with pepperings of paisley.

Paul & Joe showcased the ultimate hippy summer dress, emblazoned in muted paisly prints.

Stella McCartney put paisley on centre stage when she wore one of her own designs to unveil the Team GB Olympic kit.

(REX,Sean Cunningham,telegraph)

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